@prefix ns1: <https://martial.is/entity/> .
@prefix ns2: <https://w3id.org/martialis/ontology#> .
@prefix ns3: <https://martial.is/entity/01M5HNCED84YG0G7K8W928VC3V/hasEvidence/> .
@prefix ns4: <https://w3id.org/martialis/vocab/information-type/> .
@prefix ns5: <https://w3id.org/martialis/vocab/evidence-type/> .
@prefix rdf: <http://www.w3.org/1999/02/22-rdf-syntax-ns#> .
@prefix ns6: <https://martial.is/entity/01M5HNCED84YG0G7K8W928VC3V/> .
@prefix ns7: <https://martial.is/agent/> .
@prefix ns8: <http://www.w3.org/ns/prov#> .
@prefix ns9: <https://martial.is/entity/01M5HNCED83NFJJMM88SPZ7J1B/hasEvidence/> .
@prefix ns10: <https://martial.is/entity/01M5HNCED83NFJJMM88SPZ7J1B/> .
@prefix ns11: <https://martial.is/entity/01M5HNCED83NFJJMM88SPZ7J1B/foundedEvent/hasEvidence/> .
@prefix schema: <https://schema.org/> .

ns1:01M5HNCED83NFJJMM88SPZ7J1B a ns2:Style ;
    schema:description "Afrikan-centred martial art developed by Nganga Tolo-Naa and Mfundishi Maasi from the late 1960s, drawing on the karate of Count Dante and James Cheatham, the Yang-style taijiquan of Hou Chi Kwang, the qigong of Alan Lee and the American Bando of Maung Gyi."@en ;
    schema:keywords "karate" ;
    schema:name "Kupigana Ngumi"@en ;
    ns2:foundedEvent ns10:foundedEvent ;
    ns2:hasEvidence ns9:0 ;
    ns2:hasStyleRelationAssertion ns1:01M5HNCED84YG0G7K8W928VC3V ;
    ns2:styleType <https://w3id.org/martialis/vocab/style-classification/modern> .
ns1:01M5HNCED84YG0G7K8W928VC3V a ns2:StyleRelationAssertion ;
    ns8:wasDerivedFrom ns1:01M5G930MN1VM84DEZNGEZP48E ;
    ns2:hasConfidence ns6:hasConfidence ;
    ns2:hasEvidence ns3:0 ;
    ns2:relatedStyle ns1:01KJJAWN29MA64W22606R3WD9S ;
    ns2:styleRelationType <https://w3id.org/martialis/vocab/style-relation/influenced_by> .
ns3:0 a ns2:SourceAssertionRelation ;
    ns2:basedOnSource ns1:01M5G930MN1VM84DEZNGEZP48E ;
    ns2:evidenceType ns5:direct ;
    ns2:informationType ns4:secondary ;
    ns2:quotation "Structurally, the original version of Kupigana Ngumi was influenced by the karate of Count Dante and James Cheatham" ;
    ns2:sourceLocation "629" ;
    ns2:sourceLocatorLabel "page" ;
    ns2:supports true .
ns6:hasConfidence a ns2:Confidence ;
    ns8:wasAttributedTo ns7:FSM ;
    ns2:assessedBy ns7:FSM ;
    ns2:confidenceLevel <https://w3id.org/martialis/vocab/confidence-level/probable> ;
    ns2:confidenceRationale "Single source." .
ns9:0 a ns2:SourceAssertionRelation ;
    ns2:basedOnSource ns1:01M5G930MN1VM84DEZNGEZP48E ;
    ns2:evidenceType ns5:direct ;
    ns2:informationType ns4:secondary ;
    ns2:sourceLocation "629" ;
    ns2:sourceLocatorLabel "page" ;
    ns2:supports true .
ns10:foundedEvent a ns2:FoundingEvent ;
    ns8:wasDerivedFrom ns1:01M5G930MN1VM84DEZNGEZP48E ;
    ns2:founder ns1:01M5HN921CNQ0GZGR3ZAPM3AH1, ns1:01M5HNCED8Y9PFQRCH4ZJ0YQ4G ;
    ns2:hasEvidence ns11:0 .
ns11:0 a ns2:SourceAssertionRelation ;
    ns2:basedOnSource ns1:01M5G930MN1VM84DEZNGEZP48E ;
    ns2:evidenceType ns5:direct ;
    ns2:informationType ns4:secondary ;
    ns2:quotation "After meeting each other, Tolo-Naa and Maasi decided to develop an Afrikan-centered art. The name Kupigana Ngumi (Kiswahili, “fist-fighting”) was chosen because it embodied universal principles" ;
    ns2:sourceLocation "629" ;
    ns2:sourceLocatorLabel "page" ;
    ns2:supports true .